January is a funny time of year for film in the U.K. By now the U.S.A have already seen the annual run of oscar-bait. On our little island, Continue reading “Split Review: Shyamalan sets a high bar for the worst film of 2017.”
On the 15th December 2016 I saw the Red Hot Chili Peppers at the Manchester Arena. They were absolutely fantastic, but it was probably for the last time.
Doctor Strange adds a new weapon to an arsenal which Marvel haven’t stopped expanding since 2008. Unbelievably their fourteenth film provides new and exciting characters and visuals, as well as bringing an entire new dimension (literally loads of dimensions are in this film) to the table; magic.
Bridget Jones’ Diary, from what I remember, was okay and the sequel was, from what I remember, forgettable. The threequel though was something altogether worse; devoid of heart and smeared with forced sentimentality . Althou Continue reading “Bridget Jones’Baby and the state of female-centric comedy.”
DC’s newest animated feature, The Killing Joke, is a strange combination of bad artistic choices that are fuelled by dichotomous agenda Continue reading “The Killing Joke. I didn’t get it.”
Amongst summer shlockbusters such as Gods of Egypt, Warcraft and Independence Day: Resurgence, Elvis & Nixon is a refreshing slice of Cinema. Directed by Liza Johnson and featuring Michael Shannon, who also starred in Continue reading “Elvis & Nixon: review.”
‘Actions have meaning when they are in service to the picture.’
Eddie Mannix (Brolin) is a ‘Fixer’ for Capitol Pictures. He meanders intertwining storylines in the style of many a Cohen Bros’ protagonist in order to deal with various stars and their needs, simultaneously trying to live his own life. ‘Hail, Caeser!’ muses upon: Religion, Faith, Capitalism and Com Continue reading “Hail, Caeser!: review.”
A double bill featuring two films from either end of the tonal spectrum. The first, an extremely violent, nonstop barrage of action and spectacle whereas the other is subtle, emotional and reserved, its action scenes are carefully placed and sparse.
Starting with Superman: Earth One, which is now on its third volume, DC have established a modern, alternate universe in which the origins of its flagship characters are being retold. Continuity in comics is a difficult beast to Continue reading “Wonder Woman: Earth One, Volume One review.”
“As admission prices escalated and the lire of television kept more and more people at home for their entertainment, motion pictures began to incorporate elements that television couldn’t provide. One was the special effect, which created visual spectacle on a grand scale and showed audiences things they had never seen before” (Boggs & Petrie, 2008: p158).
Continue reading “An essay on Special Effects in Cinema.”