Psychoanalysis in Film

Psychoanalysis entered into film theory in the 1970s with Laura Mulvey’s seminal paper Visual Pleasure in Narrative Cinema (1975). Initially, Psychoanalysis and its core concepts: the id (the primal, impulsive and selfish part of the psyche), the ego (the realistic mediator between id and super-ego) and the super-ego (the moral conscience) were established by Sigmund Freud (Freud, 1921).

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